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Krytyka Prawa. Niezależne studia nad prawem

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Year 3/2014 
Volume 6 
Issue 1

Ćwiczenia z wyobraźni – Samotnia Charlesa Dickensa w prawniczym curriculum

Agnieszka Czarnecka
Uniwersytet Jagielloński w Krakowie

3/2014 6 (1) Krytyka Prawa. Niezależne studia nad prawem

DOI 10.7206/kp.2080-1084.51

Abstract

The paper explores the relation between law and literature. In the first part, based on „Bleak House” by Charles Dickens, the shortcomings of the perspective „law and literature” are indicated. The author not only criticizes the idea of treating a writer as if he were a legal historian, but she also calls into question a broader vision of literature as a mirror of social and legal reality. In the second part of the paper, still in reference to „Bleak House” (Court of Chancery, lawyers, philanthropy), a different concept of fiction within legal education is developed. Literary artistry (the use of metaphors, personifications, caricatures) and not its similarity to reality, is seen as a valuable instrument in the cultivation the moral imagination and empathy of the lawyers.

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APA style

Ćwiczenia z wyobraźni – Samotnia Charlesa Dickensa w prawniczym curriculum. (2014). Ćwiczenia z wyobraźni – Samotnia Charlesa Dickensa w prawniczym curriculum. Krytyka Prawa. Niezależne Studia Nad Prawem, 6(1), 273–286. https://doi.org/10.7206/kp.2080-1084.51 (Original work published 3/2014AD)

MLA style

“Ćwiczenia Z Wyobraźni – Samotnia Charlesa Dickensa W Prawniczym Curriculum”. 3/2014AD. Krytyka Prawa. Niezależne Studia Nad Prawem, vol. 6, no. 1, 2014, pp. 273–286.

Chicago style

“Ćwiczenia Z Wyobraźni – Samotnia Charlesa Dickensa W Prawniczym Curriculum”. Krytyka Prawa. Niezależne Studia Nad Prawem, Krytyka Prawa. Niezależne studia nad prawem, 6, no. 1 (2014): 273–286. doi:10.7206/kp.2080-1084.51.