Special Issue on Organizing Transitional Space
Editorial paper

This article is based on an ongoing organisational ethnography of antiquarian bookshops. It argues that studying the exchange of antiquarian books offers new insight on the phenomenon of gift-giving. First, the general tendency in the literature on gifts (i.e. Bourdieu and Derrida) is how gifts are commoditized, while in the antiquarian bookshop it makes more sense to consider how commodities are transformed into gifts. Second, the literature on gifts argues that actual gifts are either impossible or at least undecidable since they cause the receiver to be indebted to the giver, and a separation in time is necessary either to evaluate the gift or to make it possible. However, in the antiquarian bookshop this situation is different since such a debt is directed towards the book rather than the giver. The receiver is indeed indebted but the debt takes the form of a responsibility to care for the book. In analysing our material, we argue that every meeting between antiquarian and bookshop visitor results in liminal ceremonies that produce a space (what we, adopted from Lefebvre, call a representational space) for their interaction. Such analysis suggests that the interactions are taking place somewhere on a continuum of spaces stretching from commodity to gift. The role of the antiquarian thus stretches from seller to giver, the visitor, from buyer to receiver, and the bookshop, from shop to collection.

In this paper I will investigate the phenomenon of the awayday and its potential as a transitional space as well as how it fits into management discourse. Transition is central to the awayday, often on a literal level (of being away from the office, for example). Furthermore I want to explore whether this shift from place or routine has any bearing on the feelings and experiences of the employees: does it represent a psychological transition? Does the irregularity of structure of the awayday provide a space for reflection? Does it alter the way the individual thinks about work or identity? I will discuss this apropos Turner’s concept of the liminal. My empirical data led the research. I interviewed members from two organisations that had recently been on an awayday and used their viewpoints to shape my understanding of the effects of transition on issues of identity whilst theoretically couching the discussion of the awayday within the context of ‘fun at work’ and how the awayday provoked questions about identity (both singular and multiple) and boundaries.

The purpose of this paper is to determine how liminality can be applied to the specific legal and organizational forms of state-owned enterprises (SOEs) in Poland. Using van Gennep’s and Turner’s anthropological perspective and based on our experience with such companies, we reveal these organizations’ motives for taking liminal actions, particularly actions that determine the relationships among the management and supervisory board members, shareholders and employees. Our aim is to identify such actions and organizational spaces for dealing with particular problems in organizations.

Based on the insights of advanced phenomenology, this paper inquires into spaces and places of transition and liminality in organisations and leader-/followership. After interpreting liminality relationally, basic ideas of a phenomenology of space and embodied place as media for transition are given. The text then discusses the significance of liminality and transitional space in organisations and leadership, particularly its embodied and emotional dimensions as well as ambivalences and ambiguities. In conclusion implications and perspectives on research and practice for transitional spaces and embodied place in organisations and leadership are provided.

Special Issue on Aesthetics and Ethics
Editorial paper

This paper explores the aesthetics of ethics through an examination of Aotearoa/New Zealand’s Treaty of Waitangi. Through the metaphor of the carver, we demonstrate that instrumentality, ethics and aesthetics work together in a fluid state of play that provides the means to achieve the partnership relationships inherent in the Treaty. We claim that the theory of tensegrity allows for contestations surrounding meanings of the Treaty’s intent and opens a space for growth and development. This is illustrated by the March 2010 signing of a memorandum of understanding between Bay of Plenty iwi and Tasman Pulp and Paper which affords both parties with a means to work productively together for their mutual benefit. This contemporary illustration is compared with the construction and carvings of the Te Tiriti O Waitangi Whare Rūnanga which demonstrate in a tangible way how aesthetics and ethics work together to build community solidarity among people of diverse backgrounds.

Rats crawling, an art gallery, rats as art, warm furry bodies, bright plastic tubes, disgusting, chilled dead frogs, rats for science, a preparation, a sweet little rat, a village hall, women in white coats, rats in cages, a rosette, urine, a rat in a pouch, cuddles, rats for art, the winner is, strong black tea, how many do you have, in the literature, breeding, get more rats, a rat down a sleeve, I’ll give you a lift, sign in, a rack of cages, what is that, the data shows, please wash your hands, they can smell your perfume, protestors, I don’t know, a knock out, brain surgery, squeak squeak, the Morris water maze, toys, slice, you are a messy boy, the critique, I haven’t got a licence, drawings, rats in art, do you mind, a duvet, insurance, a queue, a drawing device, sugar rats, chunky knits, where’s the nearest rat, black rubbery tails, video camera, a T-maze, sawdust, a cleavage, nail clippings, face painting, artist rat, drawings, it’s different, two young women, a judge, art for rats, agility training, he remembers from last time.