This article revisits and seeks to add to some of the author's earlier work to highlight, once again, the manner in which art is able to return our gaze and induce critical reflection. In line with Herbert Marcuse's notion of "The Great Refusal", it is suggested that art has the potential to help us 'see' anew that which is familiar, the everyday, the banal. Drawing upon the work of the surrealist art movement, the paper highlights the manner in which an "estrangement-effect" is created that gives us sufficient distance to reflexively consider the taken-for-granted. The techniques used by the surrealists are shown to have their parallels in the work of some who occupy a 'space' in the field of organisation studies. The author argues the case that the field of organisation studies needs to recognize and protect this space of refusal.

This article describes and considers the process and outcome of an experiential workshop held in the 'Art & Aesthetics of the Unconscious' stream at the second 'Art of Management & Organization Conference', Paris, 2004. The workshop was designed to introduce participants to an art therapy approach to explore the organizations in which they work. Through this process the intention was to consider and explore the potential of using art therapy in the context of organizational management. With particular focus on considering how it may assist with interventions where surfacing the unconscious material or psychodynamics of the organization may be useful in gaining insight into the organization and shape helpful responses.

The question giving shape to this paper is: Can the workplace in today's corporate world ever be constructed, legitimately, as a psychological place? This paper will argue that it is the responsibility of the individual to engage their imaginative processes and learn the art of soul making. The corporation may encourage its members to be creative and imaginative but mostly its activities will militate against these activities. Reference will be made to a research project for a major production site (BP Oil Australia) that evaluated an espoused psychological goal (improved production and improved creativity) as its outcome. The author conducted the evaluation of this leadership development initiative that shed light on the vexed question that is the focus of this paper. The findings of the research indicate that corporate life has evolved into a totally above-world enterprise where transparency of decision making, policy planning, and implementation is the sought-after ideal. This very conscious and heroic-ego world roots out any semblance of under-world (unconscious) forces.

This paper takes up the themes of organization as dreamscape, the psychodynamics of everyday organizational performance and organizational rituals and the enactment of death and desire in the context of a longitudinal case study of an academic institution. This case study focuses on the various ways in which the organization has developed and continues to develop neurotic and dysfunctional tendencies. It looks at the ways in which those tendencies are expressed in the culture and structure of the organization and the ways in which the various constituencies of the college are complicit in the enactment of the neurosis of its leadership, as reflected in various dependent and counterdependent dynamics and performances. Of specific interest in this paper are the changes in neurotic patterns over time and the ways in which these changes relate to the changes in leadership. Using Kets de Vries' concepts related to organizational neurosis, we will discuss how the college moved from a compulsive organization to a dramatic organization.