Stories as sensemaking opportunities both support and are supported by interpersonal relationships. Deconstructing the traditional views of stories as necessarily constrained to a linear form with transparent and fixed beginning, middle, and end, we extend the metaphor of free stories to include the emergent and improvisational freedom to both express ourselves and to respect one another.

This paper investigates sensemaking by rural community residents concerning a large scale, broad band computer network - the Alberta SuperNet. Our goal is to understand the impacts of this broad band network on rural communities and to use critical theory to understand these impacts. Data were collected during 9 town hall meetings held in rural communities. Discussions during the meetings were recorded, transcribed and digitized. We identified key themes in the discussions and focused on opportunities and risks rural residents conceived as emerging from SuperNet. We investigate the personal and collective identities constructed during the town hall meetings. We then interpret the data in terms of Habermasian critical theory and the risk society thesis of Ulrich Beck.

These articles are about the currencies of sensemaking. Currency has a double meaning. First it means value in interpersonal or interorganizational exchange. For example, stories are the primary sensemaking currency in exchanges. Secondly, currency means currents, as in flows that pull swimmers, boats and debris where the current takes it.

Through a nuanced braiding of Weick’s (1995) sensemaking epistemology and Sartre’s (1957) phenomenological ontology, we propose an approach to organizational analysis which we label existential sensemaking. We first explore the potential to fuse Weick’s sensemaking and Sartre’s ontology and then examine the case of a Peruvian mountaineering expedition to explore the potential of the existential sensemaking heuristic in understanding the importance of individual decision making in the process of identity work. We conclude that this perspective has profound implications for understanding ethical behaviour in organizing processes as well as within identity construction.

The poem, Coyote and Brother Crow: A Little History, was written to be presented to new employees with the Bureau of Indian Affairs (BIA). It was meant as a catalyst to provide a timeline of events, promote discussion, and uncover diverse perspectives among those employees. Although on one level the poem is (hopefully!) a creative, entertaining presentation of history, on another level it is deep-rooted in the value of storytelling as a means to champion sensemaking and to develop insight. There are some theoretical foundations that may support the storytelling value of a creative piece.